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Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
At the beginning of the 1990s, the Madrid label Nuevos Medios became closely associated with the new flamenco fusion music, which came to be called nuevo flamenco. In the modern era Andalusian music continues to thrive, there have been efforts to preserve the tradition, as well as the traditional melodies, rhythms, and instruments, ensuring ...
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]
Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora. The cante flamenco is part of musical tradition in the Andalusian region of Spain.
Malagueñas (Spanish pronunciation: [malaˈɣeɲas]) is one of the traditional styles of Andalusian music , derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century.
Cante jondo (Spanish: [ˈkante ˈxondo]) is a vocal style in flamenco, an unspoiled form of Andalusian folk music. The name means "deep song" in Spanish, with hondo ("deep") spelled with J (Spanish pronunciation:) as a form of eye dialect, because traditional Andalusian pronunciation has retained an aspirated H lost in other forms of Spanish.
Jerez is proud of its Andalusian Centre of Flamenco, which was founded in 1993 to safeguard and promote the values and standards of flamenco. It is devoted to the investigation, recovery, and collection of flamenco-related historical documents, whether they are in audio, visual, or journalistic form.
Palos of flamenco adopted by the saeta include especially the siguiriyas and the martinetes. Other forms include the saeta por soleares, the por polos, the por cañas, and the por fandangos. [18] Flamenco guitar accompaniment may be in 2 4 or 6 8 time, or may interchange regularly between 3 4 and 6 8. [19]
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