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Use the color to alpha tool with the background color to remove the fringe. Now cancel the selection, go to the Channels panel and deselect the Alpha channel, then go back to the layers panel. Use the fill tool to fill the selection with the main color. (Since you turned off alpha, this will not affect the transparent section.)
One method, called a blotter wash, can help to remove stains. This process involves applying a solution (such as a mixture of hydrogen peroxide and water) onto the areas affected by stains, spray rinsing the print in order to rinse off the solution, and then blotting it dry.
The term type color should not be confused with the usual meaning of color, (i.e. red, yellow, blue); instead it has more to do with the blackness or boldness of the text on the page. A bold font weight creates more contrast on the page, therefore creates more emphasis. [3] Using a bold font is therefore one way that type color can be adjusted.
Tone mapped high-dynamic-range (HDR) image of St. Kentigerns Roman Catholic Church in Blackpool, Lancashire, England, UK. Tone mapping is a technique used in image processing and computer graphics to map one set of colors to another to approximate the appearance of high-dynamic-range (HDR) images in a medium that has a more limited dynamic range.
Eventually the sculptor has changed the stone from a rough block into the general shape of the finished statue. Tools called rasps and rifflers are then used to enhance the shape into its final form. A rasp is a flat, steel tool with a coarse surface. The sculptor uses broad, sweeping strokes to remove excess stone as small chips or dust.
An appropriate round of fumigation in an autoclave is used to remove pests and sterilize the object. Dry and wet cleaning techniques can both be used effectively on parchment objects. Mechanical cleaning using erasers and other abrasive tools is used to remove mildew and dirt.
There are three variants: the flattening , [1] sometimes called the first flattening, [2] as well as two other "flattenings" ′ and , each sometimes called the second flattening, [3] sometimes only given a symbol, [4] or sometimes called the second flattening and third flattening, respectively.
Eventually, the sculptor has changed the stone from a rough block into the general shape of the finished statue. Tools called rasps and rifflers are then used to enhance the shape into its final form. A rasp is a flat, steel tool with a coarse surface. The sculptor uses broad, sweeping strokes to remove excess stone as small chips or dust.