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In Christian theology, a parallel passage is a passage in another portion of the Bible which describes the same event. Comparison of parallel passages within the Bible is a major area of Biblical scholarship. The Bible frequently describes the same event from different points of view in different canonical books yielding a more complete picture ...
It is now believed that the work of Ammonius was restricted to what Eusebius of Caesarea (265-340) states concerning it in his letter to Carpianus, namely, that he placed the parallel passages of the last three Gospels alongside the text of Matthew, and the sections traditionally credited to Ammonius are now ascribed to Eusebius, who was always ...
Each of the discourses has shorter parallel passages in the Gospel of Mark and the Gospel of Luke. The first discourse relates to Luke 6:20-49. The second discourse relates to Mark 6:7-13 as well as Luke 9:1-6 and Luke 10:1-12. The corresponding unit for the third discourse is Mark 4:3-34.
The Epistula ad Carpianum ("Letter to Carpian") or Letter of Eusebius is the title traditionally given to a letter from Eusebius of Caesarea to a Christian named Carpianus. . In this letter, Eusebius explains his ingenious system of gospel harmony, the Eusebian Canons (tables) that divide the four canonical gospels, and describes their purpose, ten in numb
Overall, the verses in this chapter can be divided into groups (with cross references to parallel sections in the other gospels): 1-3: introduce Jesus preaching in a boat; 3-9: Parable of the Sower (Mark 4:1–20; Luke 8:4–15) 10-17: Reason for Parables; 18-23: Parable of the Sower explained (Mark 4:1–20; Luke 8:4–15)
Gospels are a genre of ancient biography in early Christian literature. The New Testament includes four canonical gospels, (Matthew, Mark, Luke, and John) but there are many gospels not included in the biblical canon. [3] These additional gospels are referred to as either New Testament apocrypha or pseudepigrapha.
A gospel harmony is an attempt to compile the canonical gospels of the Christian New Testament into a single account. [1] This may take the form either of a single, merged narrative , or a tabular format with one column for each gospel, technically known as a synopsis , although the word harmony is often used for both.
The gospels each derive, all or some of, its material from a common proto-gospel (Ur-Gospel), possibly in Hebrew or Aramaic. Q+/Papias (Mark–Q/Matthew) Each document drew from each of its predecessors, including Logoi (Q+) and Papias' Exposition. Independence: Each gospel is an independent and original composition based upon oral history.