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Mark Andrew Twitchell (born July 4, 1979) is a Canadian filmmaker convicted of first-degree murder in April 2011 for the murder of John Brian Altinger. [2] His trial attracted particular media attention because Twitchell had allegedly been inspired by the fictional character Dexter Morgan.
Dexter Morgan was born in 1971. [2] At the story's outset, Dexter remembers very little about his life prior to being adopted by Harry and Doris Morgan. Harry only tells Dexter that his biological parents both died in a car accident, and Harry brought him home from the crime scene.
The episode marked the first time that another character had joined Dexter with a victim in one of his murder scenes. While filming this scene during October 2008, Smits accidentally stabbed stunt man Jeff Chase with a real knife rather than the scene's prop knife. The knife struck a small piece of plastic on Chase's chest and he was unharmed.
That’s how Dexter Morgan (Michael C. Hall) described his first kill when audiences saw it 18 years ago in Season 1 of Showtime’s serial killer series “Dexter.” And that’s putting it mildly.
"Take It!" is the eighth episode of the fifth season of the American crime drama television series Dexter. It is the 56th overall episode of the series and was written by executive producer Manny Coto and co-executive producer Wendy West, and was directed by Romeo Tirone.
Set in Miami, the series centers on Dexter Morgan, a forensic technician specializing in bloodstain pattern analysis for the fictional Miami Metro Police Department, who leads a secret parallel life as a vigilante serial killer, hunting down murderers who have not been adequately punished by the justice system due to corruption or legal ...
On the new series, Patrick Gibson will portray a young Dexter Morgan as he begins his forensics internship at the Miami Metro Police Department and soon develops a thirst for killing. Christian ...
The Airstream trailer in which Dexter's victim is found was brought into the salvage yard for filming externally, but was assembled on a studio sound stage for shooting scenes inside the trailer. Erik King remarked that the trailer was dirty, odorous and humid—"all the things we needed it to be". [3]