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The Torre Glòries, [ 4 ] formerly known as Torre Agbar (Catalan pronunciation: [ˈtorə əɡˈbaɾ]), is a 38-story skyscraper located between Avinguda Diagonal and Carrer Badajoz, near Plaça de les Glòries Catalanes, which marks the gateway to the new technological district of Barcelona, Catalonia, Spain. It was designed by French architect ...
The Cerdà plan, c. 1850. Plaça de les Glòries is the large square in the centre. Plaça de les Glòries, which was then well outside the city, was originally featured in the mid-19th-century Cerdà plan for Barcelona, intended as a large public square in a new city centre, but it remained sparsely developed, turning into one of Barcelona's major road and railway junctions.
Moira Dela Torre (born 1993) Mona Lisa (1922–2019) Mona Louise Rey (born 2004) Monang Carvajal (1898–1980) Morissette (born 1996) Mosang (born 1972) Mutya Datul (born 1992) Mutya Orquia (born 2006) Mylene Dizon (born 1976) Myrtle Sarrosa (born 1994)
See media help. The " Himno Nacional del Perú " [a] ("National Anthem of Peru"; also known as " Marcha Nacional del Perú," or "National March of Peru"; " Somos libres ", or "We are free!") is the national anthem of Peru. It was composed by José Bernardo Alcedo, and its lyrics were written by José de la Torre Ugarte in 1821.
Gloria (HWV deest, the Latin word meaning "missing"), is a work which was missing from the Handel thematic catalog, but was discovered at the Royal Academy of Music's library in 2001. [ 1 ] Handel may have composed Gloria , a demanding piece for a coloratura voice , two violins and basso continuo , during his early years in Germany prior to his ...
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View a machine-translated version of the Portuguese article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
"Angels We Have Heard on High" is the most-common English version, an 1862 paraphrase by James Chadwick, the Roman Catholic Bishop of Hexham and Newcastle, northeast England. Chadwick's lyrics are original in some sections, including the title, and loosely translated from the French in other sections.