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Como la Flor" was the closing song on the Broadway musical Selena Forever (2000), starring Veronica Vasquez as Selena, [102] and in the Mexican musical Selena, El Musical (2006), which featured Lidia Ávila. [103] The recording is also the closing song of Selena ¡VIVE! (2005). [26]
Amor Prohibido is a Tejano cumbia album modernized with a synthesizer -rich delivery using a minimalist style that was quintessential in early 1990s Tejano music. The album's songs deal with dysfunctional and volatile relationships; its lyrics explore unrequited love, infidelity, and social division.
Amor Prohibido (song) " Amor Prohibido " (English: "Forbidden Love") is the title song of American Tejano singer Selena 's fourth studio album of the same name (1994). Released as the lead single through EMI Latin on April 13, 1994, it was written by Selena, her brother and music producer A.B. Quintanilla III, and her band's backup vocalist ...
It took a decade for A. B. Quintanilla (pictured) to write "Como la Flor", after conceptualizing the idea in 1982.. The recording of Entre a Mi Mundo transpired at the San Antonio studio owned by Tejano music producer Manny Guerra, with Brian "Red" Moore, Guerra's in-house music engineer, supervising the process as A. B. assumed the roles of producer and arranger, directing the operation. [14]
La Carcacha. " La Carcacha " (English: "The Jalopy") is a song recorded by American singer Selena for her third studio album, Entre a Mi Mundo (1992). The song was written by A.B. Quintanilla and Pete Astudillo. It was inspired by a dilapidated car and an experience in which A.B. observed a woman's willingness to court the owner of a luxury car.
Her six indie label albums— Selena y Los Dinos (1984), Alpha (1986), Muñequito de Trapo (1986), And the Winner Is... (1987), Preciosa (1988), and Dulce Amor (1988)—were released prior to signing a recording contract with EMI Latin, who billed Selena as a solo artist despite her Los Dinos band's involvement in her releases. [1] Most of ...
Mariapaula Mazon is a 10-year-old who loves to sing Selena Quintanilla songs and impresses with her voice that sounds just like the late singer's.
The next track "Como la Flor", became Selena's signature song with essayist Ilan Stavans suggesting the emergence of Latin pop in the United States in the 1990s is attributed to the popularity of "Como la Flor". [15] [16] The fourth song on the album, "I Could Fall in Love" was previously on the planned crossover album Dreaming of You.