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A "merry-go-round" is baseball slang for when a pitcher keeps walking batters. [4] The remainder of the song tells of many unrelated events, with the refrain of "Blinded by the light, cut loose like a deuce, another runner in the night". "Blinded by the Light" was the first single from Greetings from Asbury Park, N.J.
The first was a remix of "Blinded by the Light", which was credited to Michael Mind featuring Manfred Mann's Earth Band. The second was a remix of "For You", credited to The Disco Boys featuring Manfred Mann's Earth Band. Also in 2007, the 1983 Budapest concert was released in DVD format and included tracks not previously available.
Blinded by the Light: The Very Best of Manfred Mann's Earth Band is the fourth compilation album by British rock band Manfred Mann's Earth Band, released in 1992.
"Blinded by the Light", which reached number one on the Billboard Hot 100, [11] is a cover version of a song by Bruce Springsteen; [11] "Questions" is based on the main theme of Franz Schubert's Impromptu in G flat Major (1827); [12] "Starbird" takes its theme from Igor Stravinsky's ballet The Firebird (1910); and "The Road to Babylon" is based ...
"I Love the Nightlife (Disco 'Round)" is a popular disco song recorded by American singer-songwriter Alicia Bridges in 1978. It was released as the first single from her debut album, Alicia Bridges (1978), and went to number two on the US Billboard National Disco Action Top 30 (now the Dance Club Songs chart) for two weeks.
Bridges and her personal and songwriting partner Susan Hutcheson had written a song entitled "Disco 'Round", which, at Buckingham's suggestion, was recorded as "I Love the Nightlife", as Buckingham felt that the song was R&B rather than disco ("Disco 'Round" was retained as the song's subtitle): Bridges herself would later admit she had had ...
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In 1986, Thompson was one of the four co-writers of the hit song "You're the Voice" – the others being Andy Qunta of Australian new wave outfit Icehouse, erstwhile Procol Harum lyricist Keith Reid and Maggie Ryder. He hoped to record the song in London but was turned down by record companies there who stated the song was "not commercial".