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Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya.He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter.
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
Goya's The Madhouse, 1812–19. Real Academia de Bellas Artes de San Fernando, Madrid. Some historians speculate that Goya's symptoms may indicate prolonged viral encephalitis, and the mixture of tinnitus, imbalance and progressive deafness may be symptoms of Ménière's disease. Others claim that he was suffering from mental illness. However ...
Real Academia de Bellas Artes de San Fernando, Madrid 82.5 x 52 A Procession of Flagellants: 1812 to 1819 Real Academia de Bellas Artes de San Fernando, Madrid 46 x 73 A Village Bullfight: 1812 to 1819 Real Academia de Bellas Artes de San Fernando, Madrid 45 x 72 Penitent Magdalene: 1813 to 1818 Lázaro Galdiano Museum, Madrid 65 x 52
Real Academia de Bellas Artes de San Fernando, Madrid The Inquisition Tribunal , also known as The Court of the Inquisition or The Inquisition Scene ( Spanish : Escena de Inquisición ), is a 46-by-73-centimetre (18 by 29 in) oil-on-panel painting produced by the Spanish artist Francisco Goya between 1812 and 1819. [ 1 ]
A way of flying (Spanish: Modo de volar) is a print by the Spanish painter and printmaker Francisco Goya. Created between 1815 and 1816, it is the 13th of the 22 aquatints making up the series Los disparates. Along with the rest of the series it was first published in 1864 by the Real Academia de Nobles Artes de San Fernando. [1]
The Burial of the Sardine (Spanish: El entierro de la sardina) is an oil-on-panel painting by Spanish artist Francisco Goya, usually dated to the 1810s. It is held at the Real Academia de Bellas Artes de San Fernando, in Madrid.
Javier Goya arranged with the Real Academia de Bellas Artes de San Fernando that he would donate the self-portrait after the institution settled its outstanding debts to his father. In 1829, he received payment for the painting Ferdinand VII on Horseback [ pl ] , which the academy had commissioned in 1808, and he gifted the promised work to the ...