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Eisegesis is best understood when contrasted with exegesis. Exegesis is drawing out a text's meaning in accordance with the author's context and discoverable meaning. Eisegesis is when a reader imposes their interpretation of the text. Thus exegesis tends to be objective; and eisegesis, highly subjective.
Each volume focused on a certain genre of orchestral or choral music (for example, Volumes I and II were devoted to Symphonies; Volume III to Concertos), with many of the works discussed with the help of music examples. In 1944, a posthumous seventh volume appeared on chamber music. In 1989, a new version was published with some essays omitted ...
Some analysts, such as Donald Tovey (whose Essays in Musical Analysis are among the most accessible musical analyses) have presented their analyses in prose.Others, such as Hans Keller (who devised a technique he called Functional Analysis) used no prose commentary at all in some of their work.
The sci-film 2BR02B: To Be or Naught to Be is an example of cross-over diegetic music in film, with Schubert's Ave Maria playing over separate shot sequences as non-diegetic music, but then later showing it to come from a gramophone in a hospital waiting room. A similar cross-over occurs in the closing scene of the HBO docudrama "Conspiracy ...
In biblical exegesis, the opposite of exegesis (to draw out) is eisegesis (to draw in), in the sense of an eisegetic commentator "importing" or "drawing in" their own subjective interpretations into the text, unsupported by the text itself. Eisegesis is often used as a derogatory term.
Music examples are an obviously valuable and necessary addition to Wikipedia, often superior to text. These are both far more valuable and far more free than music samples being abstract categories applicable to multiple examples without any of the copyright or other law applicable to samples.
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
A proof text is a passage of scripture presented as proof for a theological doctrine, belief, or principle. [1] Prooftexting (sometimes "proof-texting" or "proof texting") is the practice of using quotations from a document, either for the purpose of exegesis, or to establish a proposition in eisegesis (introducing one's own presuppositions, agendas, or biases).