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Kalenjin music includes folk music traditions as well as contemporary pop music. Traditional music played on the sukutit drum and the various stringed lyres is quite rare and is played only at cultural events and venues. [9] Contemporary Kalenjin music derives from the benga sound whose defining feature involves playing the guitar principally ...
Diana Chemutai Musila, known by her stage name, Chelele, was a Kalenjin secular music singer songwriter. She sang in Kipsigis, a dialect of Kalenjin language.The Kalenjin are a Southern Nilotic ethnicity that inhabits the former Rift Valley Province of Kenya and a number of districts in the Mount Elgon area in Uganda.
Cheptalel [6] [7] (also Cheptaleel) is a heroine found in the folklore of the Kipsigis [8] and Nandi [9] sections of the Kalenjin people of Kenya. She became a folk hero as a result of being offered as a sacrifice (actually or symbolically) to save the Kalenjin sections from a drought that was ravaging their land.
Traditional Kalenjin medicine recognized both supernatural and technical skills, with male practitioners more associated with the former and female practitioners with the latter. [39] When a person fell ill, it was attributed to an angry spirit, often of a relation, and a cleansing ceremony was performed following which treatment was carried out.
Traditional Kalenjin religion which was undergoing separate change saw a corresponding decline in this time. [50] Today, nearly everyone claims membership in an organized religion—either Christianity or Islam. Major Christian sects include the Africa Inland Church (AIC), the Church of the Province of Kenya (CPK), and the Roman Catholic Church ...
The music of Kenya is very diverse, with multiple types of folk music based on the variety over 50 regional languages. [1] Zanzibaran taarab music has also become popular, as has hip hop, reggae music, soul, soukous, zouk, rock and roll, funk and Europop. Additionally, there is a growing western classical music scene and Kenya is home to a ...
A song "Chemirocha III" collected by ethnomusicologist Hugh Tracey in 1950 from the Kipsigis in Kapkatet in Kericho was written in honour of Jimmie Rodgers. The song's title is an approximation of the musician's name. [32] According to legend, tribe members were exposed to Rodgers' music through British soldiers during World War II.
The Pokot people (also spelled Pökoot) live in West Pokot County and Baringo County in Kenya and in the Pokot District of the eastern Karamoja region in Uganda.They form a section of the Kalenjin ethnic group and speak the Pökoot language, which is broadly similar to the related Marakwet, Nandi, Tuken and other members of the Kalenjin language group.