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Kalenjin music includes folk music traditions as well as contemporary pop music. Traditional music played on the sukutit drum and the various stringed lyres is quite rare and is played only at cultural events and venues. [9] Contemporary Kalenjin music derives from the benga sound whose defining feature involves playing the guitar principally ...
The Kerit is a mythological creature from Kalenjin folklore that has become well known in other parts of the world, mainly through popular culture and fantasy genres. However, there are a number of other saints, legendary figures and mythical creatures that feature in Kalenjin folklore, some of these include;
Traditional Kalenjin medicine recognized both supernatural and technical skills, with male practitioners more associated with the former and female practitioners with the latter. [39] When a person fell ill, it was attributed to an angry spirit, often of a relation, and a cleansing ceremony was performed following which treatment was carried out.
Traditional Kalenjin religion which was undergoing separate change saw a corresponding decline in this time. [50] Today, nearly everyone claims membership in an organized religion—either Christianity or Islam. Major Christian sects include the Africa Inland Church (AIC), the Church of the Province of Kenya (CPK), and the Roman Catholic Church ...
A song "Chemirocha III" collected by ethnomusicologist Hugh Tracey in 1950 from the Kipsigis in Kapkatet in Kericho was written in honour of Jimmie Rodgers. The song's title is an approximation of the musician's name. [32] According to legend, tribe members were exposed to Rodgers' music through British soldiers during World War II.
According to the Kalenjin social system, the male sex is divided into boys, warriors and elders. The female sex is divided into girls and married women. The first stage began at birth and continued till initiation. All boys who were circumcised together are said to belong to the same piinta. These age sets played a significant role in ...
Raphael Kipchambai arap Tapotuk (1937 – 7 April 2007), better known by the stage name Kipchamba, was a Kalenjin singer-songwriter and musician who rose to popularity in the late 1970s. [1] [2] He specialized in rhumba sung in the Kipsigis dialect of the Kalenjin language. While performing as a singer, Kipchamba preferred wearing a suit and ...
The music of Kenya is very diverse, with multiple types of folk music based on the variety over 50 regional languages. [1] Zanzibaran taarab music has also become popular, as has hip hop, reggae music, soul, soukous, zouk, rock and roll, funk and Europop. Additionally, there is a growing western classical music scene and Kenya is home to a ...