Search results
Results from the WOW.Com Content Network
The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called maki-e (蒔絵) in which metal powder is sprinkled to attach to lacquer. The invention of various maki-e techniques in Japanese history expanded artistic expression, and various tools and works of art such as inro are highly decorative ...
This is the earliest era from which notable quantities of lacquerware have survived, [9] with states, later kingdoms, of Qin and Chu producing the largest number of lacquerware. The state of Chu having the geographical advantage and warmer climates enabled dedicated mass cultivation of lacquer trees and for lacquerware to become a commercial ...
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
Asian lacquerware, which may be called "true lacquer", are objects coated with the treated, dyed and dried sap of Toxicodendron vernicifluum or related trees, applied in several coats to a base that is usually wood. This dries to a very hard and smooth surface layer which is durable, waterproof, and attractive in feel and look.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
FastStone Image Viewer is an image viewer and organizer software for Microsoft Windows, provided free of charge for personal and educational use. The program also includes basic image editing tools, [ 4 ] like cropping, color adjustment and red-eye removal.
His father, Ogata Sōken (1621–1687), who was a noted calligrapher in the style of Kōetsu and patron of Noh theater, [9] introduced his sons to the arts. [10] Kōrin was the second son of Sōken. His younger brother Kenzan was a celebrated potter and painter in his own right, with whom he collaborated frequently. [ 1 ]