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As with nearly all Chinese blue and white porcelain, this was painted when leather-hard, and probably the spout and rings were added. In pottery, leather-hard is the condition of a clay or clay body when it has been partially dried to a consistency similar to leather of the same thickness as the clay. At this stage, the clay object has ...
It is based on these lists that it was deduced during the Second Temple period that vessels made of these materials, namely wood, cloth, leather, sackcloth, pottery, bone and metal, are all susceptible to impurity, while vessels made of material not mentioned by the bible in this context, such as stone, could not become impure. [9]
At this stage the clay has between 20% and 25% moisture content. [41] This is the stage most commercial clays are sold at, and at which most of the shaping process is done. Leather-hard refers to a clay body that has been dried partially. At this stage the clay object has approximately 15% moisture content.
Anthropoid Clay Coffin with face lid and crossed arms. An example of a grotesque face lid. Grotesque style coffins have eyes, eyebrows, nose, mouth, ears, and beard that have been applied separately to the leather-hard clay. This can be done with slipping and scoring that joins two separate pieces of clay
African red slip ware: moulded Mithras slaying the bull, 400 ± 50 AD.. A slip is a clay slurry used to produce pottery and other ceramic wares. [1] Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating ...
Slipware is pottery identified by its primary decorating process where slip is placed onto the leather-hard (semi-hardened) clay body surface before firing by dipping, painting or splashing. Slip is an aqueous suspension of a clay body, which is a mixture of clays and other minerals such as quartz, feldspar and mica.
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Leather-hard The condition of a clay or clay body when it has been partially dried to the point where all shrinkage has stopped. Loss of Ignition The percentage of mass lost when a material is heated under specified conditions: 1,000 °C is common for ceramic raw materials Lustre
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