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Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. [1] Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting ...
A Monotype composition case showing bronze matrices struck from steel punches. The Monotype System took a different direction in hot metal typesetting, with the ability of the Composition Caster to cast loose type using a paper tape-operated automatic casting machine. The paper tape would be first generated on a keyboard and then used to cast ...
A vintage scrapbook. Scrapbooking is a method of preserving, presenting, and arranging personal and family history in the form of a book, box, or card. Typical memorabilia include photographs, printed media, and artwork. Scrapbook albums are often decorated and frequently contain extensive journal entries or written descriptions. Scrapbooking ...
The most reliable way of distinguishing between unfaced copper engraving and steel or steel-faced engraving is the "lightness and delicacy of the pale lines" in the latter. The hardness of the plate surface made it possible to print a good number of impressions without the metal of the plate wearing the lines out under the pressure of repeated ...
The technique of imprinting multiple copies of symbols or glyphs with a master type punch made of hard metal first developed around 3000 BC in ancient Sumer.These metal punch types can be seen as precursors of the letter punches adapted in later millennia to printing with movable metal type.
Richard Austin (1756–1832) was an English punchcutter.He was the original cutter of the typefaces now known as Bell, Scotch Roman, and Porson. [1] Born in London 4 August 1756 and christened at St Luke's Old Street, he studied seal, die and copper-plate engraving as an apprentice to John Phillips near Finsbury Square.
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