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Future Sonics Ear Monitors Brand was awarded the TEC Award for Sound Reinforcement Product of the Year in 1992. [4] In 2002, Future Sonics was the OEM (original equipment manufacturer) of the IE3 earphones for Sennheiser USA included with its original Evolution Wireless Systems.
The engineering team comprised James Berry who handled monitors for the band, Ramón Morales for Knowles, and Horace Ward at front of house. Sixteen of the wireless channels were devoted to personal monitor systems: 11 in stereo and five in mono. Knowles and the rest of the band members had a Sennheiser EK 300 IEM G2 monitoring receiver. [21]
Sennheiser sound equipment was used for the audio. According to Matt Napier, Madonna's monitor engineer, they used Sennheiser's Wireless Systems Manager software to tweak frequencies. Madonna used an HSP 4 headset at the beginning of the show, later switching to a Sennheiser SKM 5200-II handheld transmitter.
Sixteen channels of Sennheiser G2 wireless monitors were programmed to ensure that performers could hear what was being played amidst fervid screams from the audience. Sennheiser 500 series wireless guitar and bass systems were also used. [18]
Sennheiser electronic GmbH & Co. KG (/ ˈ z ɛ n h aɪ z ər /, German pronunciation: [zɛnˈhaɪ̯zɐ]) is a German audio equipment manufacturer headquartered in Wedemark. Sennheiser specializes in equipment for both the consumer and professional audio markets, including microphones, headphones, and loudspeakers.
In the UK, use of wireless microphone systems requires a Wireless Telegraphy Act license, except for the license free bands of 173.8–175.0 MHz and 863–865 MHz. In 2013 the UK communications regulator, Ofcom, held an auction in which the UHF band from 790 MHz to 862 MHz was sold to be used for mobile broadband services. [16] [17] [18]
A case of in ear monitor receivers. Most professional stage in-ear monitor systems use wireless technology to send the mix to the IEMs. This type of system consists of a stationary offstage transmitter and an onstage receiver (about the size of a deck of cards) that is worn by the performer.
The public address system (PAS) uses the JBL Vertec VT4889, 18 floor-stacked subwoofers, a Shure UR Wireless Microphone System, a Sennheiser G3 IEM as well as Dolby Lake Processors. Harvey also mentioned that the use of auxiliary send through various instruments at low information helped to modify the aux master for each song. [9]
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