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Dr. Byrds & Mr. Hyde is the seventh studio album by the American rock band the Byrds and was released in March 1969 on Columbia Records. [1] [2] The album was produced by Bob Johnston and saw the band juxtaposing country rock material with psychedelic rock, giving the album a stylistic split-personality that was alluded to in its title.
Between 1965 and 1968, the Byrds' albums were released in both mono and stereo variations, with Sweetheart of the Rodeo being the first album to be released exclusively in stereo in the US (Sweetheart of the Rodeo and its follow-up Dr. Byrds & Mr. Hyde were both issued in mono and stereo formats in the UK). [2]
Gene Parsons discography at Byrds Flyght Archived June 8, 2017, at the Wayback Machine; on YouTube; Gene Parsons KDRT radio interview, 60 minutes total, part one and part two, August 2016; Gene Parsons KDRT radio interview on the Mendocino Quartet and Dr. Byrds and Mr. Hyde, September 2018
Parsons left the Byrds between the time the song was recorded in October 1968 and released on the “Dr. Byrds & Mr. Hyde” album (and as a B-side) in early 1969.
Recorded less than a week after the release of the Byrds' album, Dr. Byrds & Mr. Hyde, the band line-up on these recordings includes lead singer and guitarist Roger McGuinn, lead guitarist Clarence White, bassist John York, and drummer Gene Parsons.
It should only contain pages that are The Byrds albums or lists of The Byrds albums, ... Dr. Byrds & Mr. Hyde; F. Farther Along (The Byrds album) Fifth Dimension ...
The first Byrds' album to feature White as a full member was Dr. Byrds & Mr. Hyde, which was released in early 1969. [40] The album included a re-recording of the Gene Parsons and White-penned instrumental "Nashville West", [ 40 ] as well as a rendition of the traditional song " Old Blue ", which was the first Byrds' recording to utilize the ...
A number of tracks on Dr Byrds & Mr. Hyde, including the instrumental "Nashville West" and the traditional song "Old Blue", [192] featured the sound of the Parsons and White designed StringBender (also known as the B-Bender), an invention that allowed White to duplicate the sound of a pedal steel guitar on his Fender Telecaster.