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Sophocles is known for innovations in dramatic structure; deeper development of characters than earlier playwrights; [7] and, if it was not Aeschylus, the addition of a third actor, [33] which further reduced the role of the chorus, and increased opportunities for development and conflict. [7]
Sophocles influenced the development of drama, most importantly by adding a third actor (attributed to Sophocles by Aristotle; to Aeschylus by Themistius), [147] thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights. [148]
Dramaturgy is a sociological perspective that analyzes micro-sociological accounts of everyday social interactions through the analogy of performativity and theatrical dramaturgy, dividing such interactions between "actors", "audience" members, and various "front" and "back" stages.
Aeschylus Sophocles Euripides Ancient Greek tragedies were most often based upon myths from the oral traditions, exploring human nature, fate, and the intervention of the gods. They evoke catharsis in the audience, a process through which the audience experiences pity and fear, and through that emotional engagement, purges these emotions.
The Theater of Hamburg engaged him for some years for a position today known as a "dramaturge". He was the first to occupy this role in European theater and described his task as that of a "dramatic judge" ("dramatischer Richter"), one who must assess the most compelling and appropriate means of staging a particular theatrical work. [2]
Dramatic theory attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies. [2] Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry ...
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
For this reason, dramatic art is sometimes called "sock and buskin." Male actors playing female roles would wear a wooden structure on their chests (posterneda) to imitate the look of breasts and another structure on their stomachs (progastreda) to make them appear softer and more lady like. They would also wear white body stockings under their ...