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The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. [2] In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe.
Tin whistle: C 5: Transposes at the octave. Some whistle players treat whistles pitched higher or lower than the "standard" D tin whistle as (additionally) transposing instruments. Trombone Tenor Trombone: C4 When noted in treble clef Alto trombone: C4 Reads Alto Clef Soprano trombone: C4 May be B ♭ 3 like a B ♭ trumpet Bass Trombone C4
Additionally, Tarasov reports that some recorders by Baroque makers were modified, around 1800, through the addition of keys, including a J. C. Denner (1655–1707) basset recorder in Budapest and an alto by Nikolaus Staub (1664–1734) with added G ♯ keys, like the D ♯ key on a baroque two-key flute. Another modification is the narrowing ...
Mouthpiece of a Catalan recorder. The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle.The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes."
The body (or bodies, in a double or triple flageolet) contains the finger holes and keys. The windcap is not essential to the sound production and the instrument can be played by blowing directly into the duct as in the initial recorder-type design. The flageolet was eventually entirely replaced by the tin whistle and is rarely played today. [2]
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It sometimes has a small foot section with a single key. The range is a little more than two octaves and the common keynote is "D" major. The instrument is often mistaken for a recorder with keynote C, but. like the tin whistle and tabor pipe, relies on overblowing to change registers instead of pinching open a thumbhole, recorder style, to ...
The low whistle, or concert whistle, is a variation of the traditional tin whistle/pennywhistle, distinguished by its lower pitch and larger size. It is most closely associated with the performances of British and Irish artists such as Tommy Makem, Finbar Furey and his son Martin Furey, Old Blind Dogs, Michael McGoldrick, Riverdance, Lunasa, Donie Keyes, Chris Conway, and Davy Spillane, and is ...