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In the major mode, the chromatic voice leading is more pronounced because of the presence of two chromatically altered notes, ♭ and ♯, rather than just ♯. In most occasions, the augmented-sixth chords precede either the dominant, or the tonic in second inversion. [8] The augmented sixths can be treated as chromatically altered passing ...
Voice-leading proximity among chords with more than three tones- among species of hexachords, such as the Mystic chord (Callender, 1998) [17] Common-tone proximity among dissonant trichords [ 18 ] Progressions among triads within diatonic rather than chromatic space.(Frederick,2019) [ 19 ]
Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]
F ♯ 7 may substitute for C 7 because they both have E ♮ and B ♭ /A ♯ and fulfill the voice leading considerations. Play ⓘ A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord.
Common tones are a consideration in voice leading and voicing. Abbé Vogler (1749–1814), Weber (1779–1839), Hauptmann (1792–1868), A. B. Marx (1795–1866), and earlier theorists emphasized "common-tone retention and smooth voice leading in...
Modern theorists such as Telesco explain how small sections of omnibus progression (signified in example 1 by brackets around groups of chords) can be viewed as an instance of dominant prolongation achieved through voice exchange. Example 2 (above) is effectively a prolongation of the dominant seventh chord G 7 which utilises chromatic voice ...
Note the chromatic voice leading (B ♮ –B ♭ –A), and that the F in the first chord is 27.26 cents lower than the F in the third chord. Play ⓘ barbershop seventh chord. A chord consisting of the root, third, fifth, and flatted seventh degrees of the scale. It is characteristic of barbershop arrangements.
In music, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the parallel movement of two or more melodies ...