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The lines of the mullions continued beyond the tops of the window lights and subdivided the open spandrels above the lights into a variety of decorative shapes. [1] Rayonnant style (c. 1230–c. 1350) was enabled by the development of bar tracery in Continental Europe and is named for the radiation of lights around a central point in circular ...
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The general characteristics of French stained glass in this period include whole panels filled with decorative canopy work, almost all in white, with just touches of stain. The canopy designs were intricate patterns of line and form to accompany the intricate details of the Flamboyant interiors.
In architecture and other decorative arts, diaper is applied as a decorative treatment of a surface with a repeat pattern of squares , rectangles, or lozenges. Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1]
After completing his training, Nuttgens worked at Mary Lowndes and Alfred Drury's Glass House in Fulham under Karl Parsons and Martin Travers. [7] In addition to having the talent and skill to create whole works of his own, he was also able to adapt other people's drawings for translation into works of stained glass, [3] to produce designs for other glassmakers, including James Powell and Sons ...
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
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