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Miller House, Mid-century Modern, Columbus, Indiana, 1953-57, "Conversation Pit". Japanese minimalist interior living room, 19th century. In Western architecture, a living room , also called a lounge room ( Australian English [ 1 ] ), lounge ( British English [ 2 ] ), sitting room ( British English [ 3 ] ), or drawing room , is a room for ...
Frederick C. Robie House, an example of Prairie School architecture. An architectural style is characterized by the features that make a building or other structure notable and historically identifiable.
By the 1950s, the California ranch house, by now often called simply the ranch house or "rambler house", accounted for nine out of every ten new houses. [3] The seemingly endless ability of the style to accommodate the individual needs of the owner/occupant, combined with the very modern inclusion of the latest in building developments and ...
The layout of the Fireproof House is a response to the American Foursquare, [11] [12] a format popular across the United States in the early 1900s. The Foursquare and Fireproof House shared the common cause for simpler, more economical design. The typical American Foursquare was a simple two-story box divided into four equal quadrants per floor.
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. [1]
While this house can still be described as Regency, its informal asymmetrical plan together with its loggias and balconies of both stone and wrought iron; tower and low pitched roof clearly are very similar to the fully Italianate design of Cronkhill, [10] the house generally considered to be the first example of the Italianate style in Britain.
The mansion, which was larger than the White House in Washington, D.C. [5] was demolished in 1980, and a development of modern townhouses called Stotesbury Estates was built on the property. The massive limestone pillars which were part of the mansion's front portico were left in situ as a tribute, along with the large belvedere at the back of ...
At a time of inflation and economic hardship, the Bauhaus sought a cost-effective, functional and modern design for housing. Thus in Weimar in 1923 there arose the Haus am Horn of Georg Muche and Adolf Meyer. In 1925, a year after the nationalist parties gained a majority in the Thuringian state parliament, the Bauhaus in Weimar was shut down.
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