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English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
The Large Glass consists of two glass panels, suspended vertically and measuring 109.25 in × 69.25 in (277.5 cm × 175.9 cm). The entire composition is shattered, but rests sandwiched between two pieces of intact glass set in a metal frame with wooden base.
Between 1255 and 1260 another new tendency appeared in French windows; large panels surrounding the colored figures were filled with grisaille, or grey or white glass. In the south, in Clermont-Ferrand , window-makers continued to use small panes of glass of a single color, while in other cathedrals, such as Tours Cathedral , multiple colors ...
Stained glass windows were so large that the walls between were reduced to little more than piers. Horizontal mullions, called "transoms", often had to be added to the windows to give them greater stability. [22] Tracery was a major feature of decoration. In the larger churches, the entire surface from ground to summit, including the ...
John E. G. Povey House, Portland, Oregon, home of one of the Povey Brothers. The company was founded by David Lincoln Povey, the son of English-born stained glass window maker Joseph Povey, who immigrated to the United States in 1848 and subsequently worked in stained glass in Philadelphia, New York City, and Newark, New Jersey.
The Panels of Chartres Cathedral Windows, Creation and the Good Samaritan, contain 24 stained-glass windows. Plates one through three depict shoemakers, the funders of the window. Panels four through twelve from bottom to top depict the Story of the Good Samaritan, and the other panels - thirteen to twenty-four - depict the Story of Creation.
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