Search results
Results from the WOW.Com Content Network
As with many pantomimes of the Victorian era, the piece consisted of a story involving evil spirits, young lovers and "transformation" scenes, followed by a harlequinade. The piece premiered at the Lyceum Theatre, London on 26 December 1867. It was the only pantomime written by Gilbert alone, although before and afterwards he collaborated with ...
Roman pantomime was a production, usually based upon myth or legend, for a solo male dancer—clad in a long silk tunic and a short mantle (pallium) that was often used as a "prop"—accompanied by a sung libretto (called the fabula saltica or "dance-story") rendered by a singer or chorus (though Lucian states that originally the pantomime ...
Silent comics (or pantomime comics) are comics which are delivered in mime. They make use of little or no dialogue , speech balloons or captions written underneath the images. Instead, the stories or gags are told entirely through pictures.
Nelson the Adventurer: a story for boys (1906) The Adventures of a Doll (1907), illus. Dan Sayre Groesbeck; The Home-Made Kindergarten (1912) Old, Old Tales from the Old, Old Book (1916) – Bible stories; Plays, Pantomimes, and Tableaux for Children (1917) The Christmas Child (1920) Boys and Girls of Bookland (1923), illus. Jessie Willcox Smith
The story is also used as a basis for pantomimes. However, for various reasons including both the brevity of the original and the target pantomime audience of young children, modern pantomimes by this name usually combine this story with parts of the modern Robin Hood story (employing the supporting characters from it, such as Maid Marian ...
The 1944 pantomime was Old Mother Red Riding Boots, written by the princesses and Tannar as a "mash up" of six traditional pantomime stories. [1] [6] Elizabeth wore a pink satin dress with lace sleeves to play 'Lady Christina Sherwood' and Margaret portrayed 'The Honourable Lucinda Fairfax' in a "blue taffeta dress with cream lace bloomers". [3]
It's worth noting that while this theme of female silence is prevalent throughout the written fairy tales published in Germany and enduring in America today, this trend wasn't always the norm: Charles Perrault's French renditions of these stories place greater value on beautiful women who are also articulate.
Through the medieval period churches in Europe frequently performed mystery plays, retelling the stories of the Bible. They developed from the representation of Bible stories in churches with accompanying song. As these liturgical plays became more popular, more vernacular or everyday elements were introduced and non-clergy began to participate.