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Arthur William Ryder (March 8, 1877 – March 21, 1938) [1] was a professor of Sanskrit at the University of California, Berkeley.He is best known for translating a number of Sanskrit works into English, including the Panchatantra and the Bhagavad Gita.
[citation needed] The Exeter Book is the largest and perhaps oldest [3] [4] known manuscript of Old English literature, [2] [5] [6] [7] containing about a sixth of the Old English poetry that has survived. [2] [8] In 2016, UNESCO recognized the book as "the foundation volume of English literature, one of the world's principal cultural artefacts ...
A Wall Street Journal story in May 2020 described it as "keeping the realities of life's ugliness from young innocents" and noted that the poem has gone viral after catastrophes such as the 2016 Orlando nightclub shooting, the May 2017 suicide bombing at a concert in Manchester, England, the 2017 mass shooting in Las Vegas, and the coronavirus ...
Elaine Kahn lives in L.A. and teaches at Poetry Field School. Her poem 'A WORLD THAT IS NOT REALLY A WORLD' is part of Image issue 8, "Deserted."
Her poetry has been called "gentle, reflective minimalism which touches the soul" by Dr. Sinharaja Tammita-Delgoda, the chairman of the panel of judges who awarded her the Gratiaen Prize [3] Neloufer de Mel said, of her first book "nothing prepares you is a remarkable first book which announces the entry of a very talented poet onto the stage of Sri Lankan creative writing in English.
Wikisource has original text related to this article: End Poem (full text) The end credits of the video game Minecraft include a written work by Julian Gough, conventionally called the End Poem, which is the only narrative text in the mostly unstructured sandbox game. Minecraft's creator Markus "Notch" Persson did not have an ending to the game up until a month before launch, and following ...
The poem is an expression of Stevens' perspectivism, leading from a relatively objective description of a winter scene to a relatively subjective emotional response (thinking of misery in the sound of the wind), to the final idea that the listener and the world itself are "nothing" apart from these perspectives. Stevens has the world look at ...
None of the thirteen "Texts for Nothing" were given titles; they present a variety of voices thrust into the unknown. According to S. E. Gontarski: "What one is left with after the Texts for Nothing is 'nothing,' incorporeal consciousness perhaps, into which Beckett plunged afresh in English in the early 1950s to produce a tale rich in imagery but short on external coherence."
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