Search results
Results from the WOW.Com Content Network
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
Aram Saroyan (born September 25, 1943) is an American poet, novelist, biographer, memoirist and playwright, who is especially known for his minimalist poetry, famous examples of which include the one-word poem "lighght" [1] and a one-letter poem comprising a four-legged version of the letter "m".
The poem is a product of the period of declining vitality of the runic script in Anglo-Saxon England after the Christianization of the 7th century. A large body of scholarship has been devoted to the poem, mostly dedicated to its importance for runology but to a lesser extent also to the cultural lore embodied in its stanzas.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
[citation needed] The Exeter Book is the largest and perhaps oldest [3] [4] known manuscript of Old English literature, [2] [5] [6] [7] containing about a sixth of the Old English poetry that has survived. [2] [8] In 2016, UNESCO recognized the book as "the foundation volume of English literature, one of the world's principal cultural artefacts ...
"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. [2]
The poem is an expression of Stevens' perspectivism, leading from a relatively objective description of a winter scene to a relatively subjective emotional response (thinking of misery in the sound of the wind), to the final idea that the listener and the world itself are "nothing" apart from these perspectives. Stevens has the world look at ...
The poems can be seen to fall into three categories: the biographical poems about his life before he arrived at Cold Mountain; the religious and political poems, generally critical of conventional wisdom and those who embrace it; and the transcendental poems, about his sojourn at Cold Mountain.