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  2. Additive rhythm and divisive rhythm - Wikipedia

    en.wikipedia.org/wiki/Additive_rhythm_and...

    In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.

  3. Movements for Piano and Orchestra - Wikipedia

    en.wikipedia.org/wiki/Movements_for_Piano_and...

    Stravinsky breaks the orchestra down into chamber-sized sections with the piano acting as a pivot between these, creating the type of subtle and gestural textures favored by Webern in his Concerto for Nine Instruments (Op. 24) and Variations for Orchestra (Op. 30), the latter a work much admired by Stravinsky.

  4. Septuple meter - Wikipedia

    en.wikipedia.org/wiki/Septuple_meter

    This treatment of rhythm subsequently became so habitual for Stravinsky that, when he composed his Symphony in C in 1938–40, he found it worth observing that the first movement had no changes of meter at all (though the metrical irregularities in the third movement of the same work were amongst the most extreme in his entire output). [25]

  5. List of compositions by Igor Stravinsky - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    Stravinsky's music is typically divided into three style periods: the Russian period (c. 1907–1919), the neoclassical period (c. 1920–1954), and the serial period (1954–1968). Stravinsky's Russian period is characterized by the use of Russian folk tunes and the influence of Rimsky-Korsakov, Tchaikovsky, Glazunov, and Taneyev.

  6. Adrian Symphony Orchestra's 'Season of Stravinsky' to continue

    www.aol.com/adrian-symphony-orchestras-season...

    WHAT: “Petrushka,” an Adrian Symphony Orchestra concert featuring Flagello’s “Vitality,” Beethoven’s Piano Concerto No. 4 with guest artist Henry Kramer, and Stravinsky’s “Petrushka”

  7. Concerto in E-flat "Dumbarton Oaks" - Wikipedia

    en.wikipedia.org/wiki/Concerto_in_E-flat...

    Concerto in E-flat, inscribed Dumbarton Oaks, 8.v.38 (1937–38) is a chamber concerto by Igor Stravinsky, named for the Dumbarton Oaks estate of Robert Woods Bliss and Mildred Barnes Bliss in Washington, D.C., who commissioned it for their thirtieth wedding anniversary.

  8. Additive rhythm and divisive rhythm - en.wikipedia.org

    en.wikipedia.org/.../mobile-html/Divisive_rhythm

    In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter:. A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.

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