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The instrument adds two strings to the standard six—a low A (a 5th below the standard low E), and a high A (a 4th above the standard high E), giving A E A D G B E A. [1] The guitar's frets are fanned to allow for the different string lengths. The player holds the guitar like a cello, with a cello-like post from the bottom of the guitar to the ...
Various lost arrangements by Brahms of other composers' works see [6] for list A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms see [6] for list A. 5a/4-21: Various transcripts of other composers' works, notated by Brahms see [6] for list A. 5b/1-3: Various autograph ...
This tuning combines the wide 5th intervals with the possibility of close intervals that allows the pair of unison 3rd and 2nd strings (A). When playing in unison, this tuning also allow a chorus-like effect similar to the sound that the unison produces in 12 string guitars, but in a much smaller scale.
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning.The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G).
During Brahms' lifetime, the string quartet, like the symphony, was a genre dominated by the compositions of Ludwig van Beethoven.Brahms had remarked of Beethoven in 1872, a year before finishing his first quartets, "You can't have any idea what it's like always to hear such a giant marching behind you!"
Brahms himself reworked the piece for piano 4 hands in 1875. The same year he revisited the orchestral version, [ 9 ] this time for chamber orchestra. The new scoring was for piccolo, 2 flutes, 2 oboes, 2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III), 2 bassoons, 2 horns, violas, cellos, and ...
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Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
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