Search results
Results from the WOW.Com Content Network
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. [1]
Download as PDF; Printable version; ... (for example, 1987 audio edition by Recorded Books ... Great Expectations has an unhappy ending, since most characters suffer ...
Walker calls the book "remarkable in providing a happy ending for the lesbian character", particularly for the time and genre. [2] Go called it "a positive, non-exploitive look at lesbian life in an era when lesbians were not supposed to have positive, non-exploitive existences."
By getting Anthony to Stockholm and on Krogh's payroll, she is hoping for a much closer relationship with her brother, who is charming, unreliable and always broke. His failure to respond, and the unhappy ending, leaves her in an even worse position as Krogh's artificial empire threatens to unravel.
These games are usually adventure or storytelling games whose ending or sometimes even entire story changes depending on the player's active, in the form of dialogue options, or passive choices, such as games with moral systems. Examples of choice-driven games that feature multiple endings: Life Is Strange, which includes two canon endings.
It looks like the final chapter has been written on Borders bookstores. After price slashing and downsizing and countless "Store Closing" sales, the last word is that the venerable bookseller is ...
A second ending had Teri live through the gunshot, and a third had her not being shot at all, with the family embracing each other after the long day was over. D.I.E: In the original ending, Yue Sir dies from a car accident, but the audience wanted a happier ending, so TVB created a new one in the style of mo lei tau comedy. In the new ending ...
Kathryn Hemmann, in Chapter 10 of Rethinking Japanese Feminisms, writes "The unhappy endings of these girls’ stories may thus be understood as a form of literary attack against cultural double standards that allow no middle ground for young women to negotiate their own identities as they move into adulthood." [4]: 175