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"The Cask of Amontillado" is a short story by the American writer Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at carnival time, is about a man taking fatal revenge on a friend who, he believes, has insulted him.
(An allusion to The Cask of Amontillado) as the latter drops the last piece of paving into place. The strain of his efforts takes a physical and mental toll on Robinson, causing him to collapse with exhaustion and a severely injured back.
previously adapted for Suspense radio show on 12 August 1942, 10 February 1944, & 3 April 1948. A couple has separate health issues. One of them is arsenic. 4 4 "Cabin B-13" John Dickson Carr: Charles Korvin Eleanor Lynn March 29, 1949 previously adapted for Suspense radio on 13 March 1943 & 9 November 1943. In 1948 it inspired its own short ...
Jopson's screenplay brings Poe's short story "The Cask of Amontillado" into contemporary times and sets it the underworld of the Tuscan wine business. With references to Brunellopoli , the great Italian wine scandal of 2008 [ 3 ] and with cameo appearances from real-world winemakers such as Salvatore Ferragamo and Luca Sanjust, the film brings ...
Three short sequences, based on the following Poe tales, are told: "Morella", "The Black Cat" (which is combined with another Poe tale, "The Cask of Amontillado"), and "The Facts in the Case of M. Valdemar". Each sequence is introduced via voiceover narration by Vincent Price, who also appears in all three narratives.
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"The Cask of Amontillado" represents Poe's attempt at literary revenge on a personal enemy, [2] and "Hop-Frog" may have had a similar motivation. As Poe had been pursuing relationships with Sarah Helen Whitman and Nancy Richmond (whether romantic or platonic is uncertain), members of literary circles in New York City spread gossip and incited ...
Alan Rowe Kelly wrote, directed and stars in an updated adaptation of The Cask with co-stars Randy Jones and Brewster McCall in a love triangle gone awry in a Giallo styled film of murder, deceit and revenge. The third tale, Dreams, is directed by Bart Mastronardi from an original screenplay by Michael Varrati.