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Chicago was initially a bitmap font; as the Apple OS’s capabilities improved, Apple commissioned the type foundry Bigelow & Holmes to create a vector-based TrueType version. [1] The typeface is named after the U.S. city of Chicago, following the theme of original Macintosh fonts being named after major world cities.
Fallback font (freeware fallback font for Windows) Free UCS Outline Fonts aka FreeFont (free/open source, "FreeSerif" includes 3,914 glyphs in v1.52, MES-1 compliant) Gentium (free/open source, "Gentium Plus" includes over 5,500 glyphs in November 2010) GNU Unifont (free/open source, bitmapped glyphs are inclusive as defined in unicode-5.1 only)
Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
List of free Japanese fonts; List of free Korean fonts; Free Chinese Font; Free Japanese Font; Free Korean Fonts; Arphic Public License: a free font, licensed by Arphic Technology (in Chinese) 免费中文字体 (in Chinese) 適用於 GNU/Linux 的字型; Japanese Fonts on OSDN; CJKV Fonts on ArchWiki; Maoken.com, Free Chinese Fonts list
This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts). For fonts shipped only with Mac OS X 10.5, please see Apple's documentation.
Adobe Fonts (formerly Typekit) is an online service that provides its subscribers with access to its font library, under a single licensing agreement. [1] The fonts may be used directly on websites, [ 2 ] or synced via Adobe Creative Cloud to applications on the subscriber's computers.
The font exemplifies the style preceding the 1530s: a font dark in colour, with wide capitals, tilted 'e's and large dots on the 'i', recalling calligraphy. De Colines, who probably engraved his own typefaces, developed his style and use of type over his lifetime, increasing the influence of classical Roman capitals [ 170 ] and making his fonts ...