Search results
Results from the WOW.Com Content Network
A long-running dispute claims that the Argenteuil cloth is not the seamless robe worn by Jesus during the crucifixion, but the garments woven for him by the Virgin Mary and worn his entire life. Advocates of the theory that the Argenteuil cloth is the seamless robe claim that the Trier robe is Jesus's mantle. [3]
The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of the event. Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted.
The kittel is a white robe worn on certain occasions by married men (and some women) [14] in Ashkenazic and Hasidic communities, such as Yom Kippur and Passover Seder, and may be worn by those leading prayers (and in some communities by all married men) on Rosh Hashanah, Hoshanah Rabbah, and for Tefilas Tal and Tefilas Geshem.
Robe of the Fire-rat, a legendary robe of China that is made of the fireproof fur of the fire-rat. One of Kaguya-hime's suitor set out to search for the robe. (Japanese mythology) Seamless Robe of Jesus (also Holy Robe, Holy Tunic, Honorable Robe or Chiton of the Lord), the robe said to have been worn by Jesus during or shortly before his ...
After the revision, Jesus became dressed in a calf-length, regularly falling white robe and wearing sandals. He now had shoulder-length blond hair and soft, androgynous features. His arms are now closer to the body, the gestures of the hands were reduced, so that Jesus now appears more introverted or modest.
For some, this blackness was due to Jesus's identification with black people, not to the color of his skin, [58] while others such as the black nationalist Albert Cleage argued that Jesus was ethnically black. [59] A study which was documented in the 2001 BBC series Son of God attempted to determine what Jesus's race and appearance may have ...
Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels. In the Acts of the Apostles, Jesus is said to have manifested as a "light from heaven" that temporarily blinded the Apostle Paul, but
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.