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The common phrase "red sky at morning" is a line from an ancient rhyme often repeated with variants by mariners [1] and others: Red sky at night, sailors' delight. Red sky at morning, sailors take warning.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Red sky at night or Red Sky at Night may refer to: An example of weather lore; see Red sky at morning "Red Sky at Night", a song by David Gilmour from the album On an Island "Red Sky at Night", a song by Focus from the album Ship of Memories; Red Sky at Night, 2022 play by Lindsay Rodden for Mikron Theatre Company
When weather systems predominantly move from west to east, a red sky at night indicates that the high pressure air (and better weather) is westwards. In the morning the light is eastwards, and so a red sky then indicates the high pressure (and better weather) has already passed, and an area of low pressure is following behind. [11] A red sunrise.
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
In poetry, a ballad stanza is a type of a four-line stanza, known as a quatrain, most often found in the folk ballad.The ballad stanza consists of a total of four lines, with the first and third lines written in the iambic tetrameter and the second and fourth lines written in the iambic trimeter with a rhyme scheme of ABCB.
Missouri Poet Laureate David L. Harrison checks in with a column about couplets, which poets like Robert Frost and T.S. Eliot used to great effect.
This rhyme scheme was extremely popular in French poetry. It was used by Victor Hugo and Charles Leconte de Lisle. In English it is called the tail-rhyme stanza. [2] Bob Dylan uses it in several songs, including the A-strains of You're Gonna Make Me Lonesome When You Go and the B-strains of Key West (Philosopher Pirate).