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The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
Liu Fang (Chinese: t 劉 芳, s 刘 芳, p Liú Fāng; b. 1974) is a Chinese–Canadian musician who is one of the most prominent pipa players in the world. Described in the media as the "empress of pipa" (L'actualité), "divine mediator" (World), "the greatest ambassadress of the art of the pipa", [1] Liu Fang is known as "possessing virtuoso technique, grace and a unique empathy toward the ...
"Pipa xing" (Chinese: 琵琶行), variously translated as "Song of the Pipa" or "Ballad of the Lute", is a Tang dynasty poem composed in 816 by the Chinese poet Bai Juyi, [1] one of the greatest poets in Chinese history. [2] [3] The poem contains a description of a pipa performance during a chance encounter with a performer near the Yangtze ...
It can also be played with fingers (index finger and thumb with acrylic nails), which is similar to the way of playing the pipa (琵琶). The zhongruan is a tenor-ranged instrument in the family of ruan (阮). In ancient China, the ruan was called Qin pipa (Qin [Dynasty] pipa, 秦琵琶) or Ruan xian (阮咸).
The instrument itself also varies in size, depending on the player. Male players typically play biwa that are slightly wider and/or longer than those used by women or children. The body of the instrument is never struck with the plectrum during play, and the five string instrument is played upright, while the four string is played held on its side.
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Wu Man (Chinese: 吴 蛮; pinyin: Wú Mán; born January 2, 1963) [1] is a Chinese pipa player and composer. Trained in Pudong-style pipa performance at the Central Conservatory of Music in Beijing, she is known for playing in a broad range of musical styles and introducing the pipa and its Chinese heritage into Western genres.
Lute Song is a 1946 American musical with a book by Sidney Howard and Will Irwin, music by Raymond Scott, and lyrics by Bernard Hanighen.It is based on the 14th-century Chinese play Tale of the Pipa (Pi-Pa-Ji) by Gao Ming. [1]