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Various items in Aomori Prefecture featuring kogin-zashi patterns. Kogin-zashi (こぎん刺し) is one of the techniques of sashiko, or traditional Japanese decorative reinforcement stitching, that originated in the part of present-day Aomori Prefecture controlled by the Tsugaru clan during the Edo period (1603-1867).
Department of Textiles; Harold B. Lee Library (1919-1920) Guide to the Japanese textiles: Costume, 2, London : Printed under the authority of H. M. Stationery Office Volume I: Textile fabrics Volume II: Costume
The main elements of the garment has a simple sewing pattern, sometimes described as a four-panel hakama, again owing to similar origins. It is made up of a front and back panel, and two side panels. There is an open side on each hip, and a total of four straps at the corners of the hips, almost identical to ones used for securing Hakama, himo ...
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Pattern 2 - The second pattern of the Type 98 pith helmet, made to accommodate for material shortages. The only vastly notable change is the elimination of the vent grommets on the side, leaving only the shaft on the top. Pattern 3 - The third and final pattern of the Type 98 pith helmet, made to accommodate for a severe lack of raw material.
One of her best known patterns is the Haori, a Japanese inspired jacket that was first published in 2017 in Making. [ 1 ] [ 7 ] Originally released under the name Kimono Jacket, Gordy changed the name to the Haori in 2018 following cultural appropriation concerns raised by members of the online sewing community.
The art that is worked on the takadai is a braid, not a weave. Although many of the patterns used on this braiding stand resemble the up and down motion of a weave, since each thread takes a turn at being both the weft and the warp, it is a braid. On the takadai it is possible to make intricate patterns using a technique called "pick-up braids ...
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