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Mamianqun (simplified Chinese: 马面裙; traditional Chinese: 馬面裙; pinyin: mǎmiànqún; lit. 'horse face skirt'), is a type of traditional Chinese skirt. It is also known as mamianzhequn (simplified Chinese: 马面褶裙; traditional Chinese: 馬面褶裙; lit. 'horse-face pleated skirt'), but is sometimes simply referred as 'apron' (Chinese: 围裙; pinyin: wéiqún; lit. 'apron'), a ...
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For much of the early and mid 1990s, power dressing was the norm for women in the workplace: [45] navy blue, grey or pastel colored skirt suits with shoulder pads, [46] pussy bow blouses, silk scarves, pointed shoes, stretchy miniskirts, [47] polka dot blouses, and brightly colored short dresses worn with a dark brocade blazer, bare legs and ...
The upper part of women's dresses in the Edwardian era included a "pigeon breast" look that gave way to a corseted waist and an s-shaped silhouette. [54] Women called their dresses "waists" if one-piece, or "shirtwaists," if it consisted of a skirt and a blouse. [55] The bodice of the dresses had a boned lining. [55]
An ankle-length daytime skirt, popular with women in the late 1960s as a reaction against miniskirts. [22] Midi skirt: A skirt with hem halfway between ankle and knee, below the widest part of the calf. Introduced by designers in 1967 as a reaction to very short mini skirts. [22] Miniskirt: A skirt ending between knee and upper thigh, 1960s ...
The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
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