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Sinfonia (Underworld): reprise Orfeo Possente spirto e formidabil nume ("Mighty spirit and powerful divinity") With ritornelli Caronte Ben mi lusinga alquanto ("Much I am flattered") Orfeo Ahi, sventurato amante ("Ah, unhappy lover that I am") In two sections; the Underworld sinfonia plays at the end of each section
Sinfonia "al conventello" (1806) Cinque duets pour cor (1806) Sinfonia (1808, used in L'inganno felice) Sinfonia (1809, used in La cambiale di matrimonio et Adelaide di Borgogna) Sinfonia "obbligata a contrabasso" (1807–10) Variazioni di clarinetto (1809) Quartetto per flauto, clarinetto, fagotto e corno (1810?) Andante e tema con variazioni ...
Later, to avoid confusion with other types of sinfonia/symphony, the term Italian overture was used more frequently. The structure of the Italian overture/sinfonia was the base from which the classical multi-movement cycle - used in genres including the symphony , concerto , and sonata - developed around the middle of the 18th century.
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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
– Sinfonia No.1 in F Major – Sinfonia No.2 in D Major – Sinfonia No.3 in D Major – Sinfonia No.4 in D Major – Sinfonia No.5 in D Major – Sinfonia No.6 in E Major – Sinfonia No.7 in F Major – Sinfonia No.8 in G Major – Sinfonia No.9 in F Major About 18 Sinfonias total, some doubtful works – Flute Concerto, in G major ...
While Jacopo Peri's Dafne is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's Euridice, L'Orfeo is the earliest that is still regularly performed. By the early 17th century the traditional intermedio —a musical sequence between the acts of a straight play—was evolving into the form of a ...
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