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A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
The term tenor was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
In other words, choral music was designed to be broken down into four vocal sections and it is the sections themselves that are labeled soprano, alto, tenor, and bass, not the individual singers. [5] For example, most women that sing the alto line in choirs would be considered mezzo-sopranos in opera due to their vocal timbre and their ...
Tenor tessitura: The tessitura of the tenor voice lies above the baritone voice and below the countertenor voice. The Tenorino has the highest tessitura of all the tenor subtypes. [5] Tenor subtypes: Tenors are often divided into different subcategories based on range, vocal color or timbre, the weight of the voice, and dexterity of the voice.
Within choral music there are only four categories for adult singers: soprano and alto for women, tenor and bass for men. [ 12 ] In the UK, the term "male alto" refers to a man who uses falsetto vocal production to sing in the alto section of a chorus.
The Choir of the French Army at the Lons-le-Saunier Theater.. A men's chorus or male voice choir (MVC) (German: Männerchor), is a choir consisting of men who sing with either a tenor or bass voice, and whose music is typically arranged into high and low tenors (1st and 2nd tenor), and high and low basses (1st and 2nd bass; or baritone and bass)—and shortened to the letters TTBB.
Kenneth Bowen (tenor), John Shirley-Quirk (baritone) Bryan Fairfax: First performance of the symphony. 30 October 1966: Royal Albert Hall, London: BBC Symphony Orchestra, BBC Choral Society, City of London Choir, Hampstead Choral Society, Emanuel School Choir, Orpington Junior Singers: Honor Sheppard (soprano), Shirley Minty (alto), Ronald Dowd ...
For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "SATB/SATB" is used when a double choir is required, as in Penderecki's Polish Requiem.
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