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Each porcelain decorated by the Atelier Camille Le Tallec in Paris is signed by an LT motif in a Sèvres-like mark. Inside the LT motif appear two series of letters. [ 1 ] First, a letter code in the upper part indicating the date of production of the piece, and second the initials of the piece's painter in the lower part.
It is known mainly for its sometsuke underglaze cobalt blue and white porcelain, with the amount of blue often low, showing off the detailed modelling and the very fine white colour of the porcelain. This has a finer grain than most Japanese porcelains, allowing fine detail and thin and complicated openwork in forms.
The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue". The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. [1] Victoria and Albert Museum, London. Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s.
Dish with opalescent blue and lavender splashed glazes, Jin dynasty (1115–1234) The glaze of Jun ware is always thick and opaque. It is often very thin or absent around the rim, but thick at the foot, where it typically leaves a small part uncovered. Both the light blue and purple colours are first seen in Chinese pottery in Jun wares.
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A group of over 15 kilns at the village of Qingliangsi, Baofeng County, Henan have been identified as the site manufacturing Ru ware. They were first identified in 1950, [24] and in 1977 the ceramic art historian Ye Zhemin found a sherd on the site which when analysed proved identical to a Ru ware sample in Beijing. [25]
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