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Prison art is unique in several ways. Due to the low social status of prisoners, art made by prisoners has not historically been well-respected. [2] [3] The art, much like the prisoners themselves, is often subject to controls. [4] [5] Art made by prisoners is sometimes valued, [6] or conversely sometimes sought to be actively destroyed. [7]
Trench art is any decorative item made by soldiers, prisoners of war, or civilians [citation needed] where the manufacture is directly linked to armed conflict or its consequences. It offers an insight not only to their feelings and emotions about the war, but also their surroundings and the materials they had available to them. [ 1 ]
Since then, they became used for primarily artistic purposes, and are often made with handkerchiefs. Prisoners sometimes use paños to get favors. [2] Themes made with the artwork include Catholic faith symbols, Chicano political movement imagery, and prison imagery. [3] Prisoners often mail their artwork to their families. [4]
Bentham argued that the confinement of the prison "is his punishment, preventing [the prisoner from] carrying the work to another market". Key to Bentham's proposals and efforts to build a panopticon prison in Millbank at his own expense, was the "means of extracting labour" out of prisoners in the panopticon. [11]
Prison tattooing is the practice of creating and displaying tattoos in a prison environment. Present-day American and Russian prisoners may convey gang membership, code, or hidden meanings for origin or criminal deeds. Lack of proper equipment and sterile environments lead to health risks such as infection or disease (hepatitis C, HIV) from ...
A sallyport is a secure, controlled entry way to an enclosure, e.g., a fortification or prison. The entrance is usually protected by some means, such as a fixed wall on the outside, parallel to the door, which must be circumvented to enter and prevents direct enemy fire from a distance.
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Outsider art is art made by self-taught individuals who are untrained and untutored in the traditional arts with typically little or no contact with the conventions of the art worlds. The term outsider art was coined in 1972 as the title of a book by art critic Roger Cardinal . [ 1 ]