Search results
Results from the WOW.Com Content Network
"It's the Hard Knock Life" is a song from the musical Annie [1] with music by Charles Strouse and lyrics by Martin Charnin. [ 2 ] [ 3 ] [ 4 ] The song is sung by the eponymous protagonist, together with her fellow orphan girls, and is about how the girls are treated by Miss Hannigan.
"Hard Knock Life (Ghetto Anthem)" is a single from American rapper Jay-Z's third album Vol. 2... Hard Knock Life , released on October 27, 1998. It features a vocal and pitch-modified instrumental sample [ 1 ] of the song " It's the Hard Knock Life " from the 1977 musical Annie .
"Flash Delirium" is a song released by the American psychedelic rock band MGMT on their second album Congratulations. It was the first single to be released from the album and was originally referred to as a "taster" before the band abandoned their original plan to not release any singles from Congratulations in order to solidify its existence ...
Written by Mick Jagger and Keith Richards, [5] recording on "Jumpin' Jack Flash" began during the Beggars Banquet sessions of 1968. Regarding the song's distinctive sound, guitarist Richards has said: I used a Gibson Hummingbird acoustic tuned to open D, six string. Open D or open E, which is the same thing – same intervals – but it would ...
The song was first written in 1980 by rappers Duke Bootee and Melle Mel in response to the 1980 New York City transit strike, which is mentioned in the song's lyrics. [3] "The Message" was an early prominent hip hop song to provide social commentary. The song's lyrics describe the stress of inner-city poverty.
Miles Marshall Lewis, reviewing the album's 2002 British reissue in The New Rolling Stone Album Guide (2004), cited "The Adventures of Grandmaster Flash on the Wheels of Steel" as the "clincher" and "the only prime-period example of Flash's ability to set and shatter moods, with his turntables and faders running through a collage of at least 10 ...
It's Hard is the tenth studio album by English rock band the Who.Released in September 1982, it was the final Who album to feature bassist John Entwistle, who died in 2002.
Jon Pareles, writing for Creem says Flash and the Pan’s songs are “incorrigibly catchy” but he earlier notes the detachment of the vocal style and the insincerity of lyrics; like Simels, he counters his own criticism, saying, “[If] You want sincerity, go watch Merv Griffin.” [10] Simon Frith in Melody Maker factors the experience of ...