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The Pentax 6×7 (called "Pentax 67" after 1990) is a SLR medium format system film camera for 120 and 220 film, which produces images on the film that are nominally 6 cm by 7 cm in size (actual image on the film is 56 mm × 70 mm), made by Pentax. It originally debuted in 1965 as a prototype dubbed the Pentax 220.
Pentax is one of the few camera manufacturers still producing medium format cameras up to 1999. There are two offerings, one in the 6×7 format—the Pentax 67 II, and one in the 6×4.5 format—Pentax 645NII. Both use 120 or 220 roll film. These cameras build on the Pentax SLR design experience.
Pentax 02 Standard Zoom (2011) — 28–80 mm equivalent; Pentax 03 Fisheye (2011) — 17.5 mm equivalent; Pentax 04 Toy Lens Wide (2011) — 35 mm equivalent; Pentax 05 Toy Lens Telephoto (2011) — 100 mm equivalent; Pentax 06 Telephoto Zoom (announced in 2012) — 83–249 mm equivalent; Pentax Adapter Q for K-Mount Lens (announced in 2012)
Asahi Optical Co Ltd is best known for Asahi Pentax 6x7 medium format film cameras and the later Pentax Corporation is best known for Pentax 67 medium format film cameras. In 1990, the Asahi Optical Co. Ltd renamed the sub-brand from "Pentax 6x7" to Pentax 67. The company produced Pentax 67 cameras until 1999 and ceased trading in 2002.
Asahi (Honeywell in USA) Pentax 6×7 (Japan; name shortened to Pentax 67 in 1990 [375]): first 67 medium format SLR. Took ten exposures of 2 + 1 ⁄ 4 × 2 + 3 ⁄ 4 inch (6×7 cm) nominal frames (56×69.5 mm actual frames) on 120 film. The 67 format is called "perfect" or "ideal", because its aspect ratio enlarges to an 8×10 inch print ...
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New medium format SLR offerings in the late 1960s, like the Pentax 6×7, began to resemble a conventional 35mm SLR cameras. To compete, Mamiya added the RB67 alongside their advanced TLR, the C330, but using a horizontal film path, interchangeable film backs, while retaining the bellows focus and leaf shutter system.
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