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In a 2014 interview with the Kennedy Center, Blue Note president Don Was noted that the logo for Late Night with Jimmy Fallon resembled a Blue Note album cover. [70] The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963 ...
As the name implies, Facebook page Images That Could Be Album Covers is a gorgeous gallery of pictures that would make amazing marketing material for music. From candid shots, to creative, bizarre ...
Reduced to just "which appeared on hundreds of Blue Note album covers", and added the information about the candid and black-and-white qualities of the photos to the 1951–1956: Early years section. There seems to be some overlap in how you describe styles used between the History and Style sections, which feels kind of repetitive.
Covers, illustrations, posters, movies, stamp and currency designs, web site screenshots, game screens, music videos, and so forth, even promotional pictures and advertisements, are copyrighted, with exclusive rights to use them, to copy them, and to make works derived from them reserved to the copyright holder.
After working in New York City in the early 1950s for John Hermansader and Esquire magazine [2] and Margaret Hockaday's advertising firm, [3] Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs.
The Blue Note Label: A Discography. ISBN 0-313-31826-3 [2nd ed 2001] Marsh, Graham & Glyn Callingham. Blue Note: Album Cover Art. ISBN 0-8118-3688-6. Marsh, Graham Blue Note 2: The Album Cover Art: The Finest in Jazz Since 1939. ISBN 0-8118-1853-5 [US edition] Wolff, Francis et al. Blue Note Jazz Photography of Francis Wolff. ISBN 0-7893-0493-7
Under Miles, Blue Note was known for their striking and unusual album cover designs. [2] Miles' graphical design was distinguished by its tinted black and white photographs, creative use of sans-serif typefaces, and restricted color palette (often black and white with a single color), and frequent use of solid rectangular bands of color or ...
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