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In a 2014 interview with the Kennedy Center, Blue Note president Don Was noted that the logo for Late Night with Jimmy Fallon resembled a Blue Note album cover. [70] The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963 ...
Reduced to just "which appeared on hundreds of Blue Note album covers", and added the information about the candid and black-and-white qualities of the photos to the 1951–1956: Early years section. There seems to be some overlap in how you describe styles used between the History and Style sections, which feels kind of repetitive.
The Blue Note Label: A Discography. ISBN 0-313-31826-3 [2nd ed 2001] Marsh, Graham & Glyn Callingham. Blue Note: Album Cover Art. ISBN 0-8118-3688-6. Marsh, Graham Blue Note 2: The Album Cover Art: The Finest in Jazz Since 1939. ISBN 0-8118-1853-5 [US edition] Wolff, Francis et al. Blue Note Jazz Photography of Francis Wolff. ISBN 0-7893-0493-7
After working in New York City in the early 1950s for John Hermansader and Esquire magazine [2] and Margaret Hockaday's advertising firm, [3] Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs.
Album cover challenge; Album covers of Blue Note Records; I. List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band ... (Bolt Thrower album) cover art ...
The following other wikis use this file: Usage on ar.wikipedia.org بلو نوت للتسجيلات; Usage on bg.wikipedia.org Блу Ноут; Usage on ca.wikipedia.org
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In the early 1950s, artists like Gil Mellé, Paul Bacon, and John Hermansader designed Blue Note's earliest album covers. In 1956, Reid Miles was hired as Blue Note's art director, creating 400 to 500 covers with a unique style incorporating diverse typefaces and design principles such as asymmetry and tinting.