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Opus clavicembalisticum is a work for solo piano, notable for its length and difficulty, composed by Kaikhosru Shapurji Sorabji and completed on 25 June 1930. [1]At the time of its completion, it was the longest piano piece in existence, taking around 4–4½ hours to play, depending on tempo.
Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours 270 (manuscript) [6] [19] [20] A3 Premiered by Jonathan Powell. [19] Piano Symphony No. 4 Kaikhosru Shapurji Sorabji 4½ hours 240 (manuscript) A3 Premiered by Reinier van Houdt. [21] [22] [23] Opus clavicembalisticum: Kaikhosru Shapurji Sorabji 4 hours
The Toccata in C major, Op. 7 by Robert Schumann, was completed in 1830 and revised in 1833.The piece is in sonata-allegro form. [1]The work was originally titled Etude fantastique en double-sons (Fantastic Study in Double Notes), and was infamously referred to by Schumann as the "hardest piece ever written"—to this day it remains as "one of the most ferociously difficult pieces in the piano ...
The piece was premiered on November 28 of that year in New York City with the composer as soloist, accompanied by the New York Symphony Society under Walter Damrosch. [1] The work has the reputation of being one of the most technically challenging piano concertos in the standard classical piano repertoire. [2] [3] [4]
Gaspard de la nuit (subtitled Trois poèmes pour piano d'après Aloysius Bertrand), M. 55 is a suite of piano pieces by Maurice Ravel, written in 1908.It has three movements, each based on a poem or fantaisie from the collection Gaspard de la Nuit – Fantaisies à la manière de Rembrandt et de Callot completed in 1836 by Aloysius Bertrand.
Étude Op. 25, No. 6, in G-sharp minor, is a technical study composed by Frédéric Chopin focusing on thirds, trilling them at a high speed.Also called the Double Thirds Étude, it is considered one of the hardest of Chopin's 24 Études, ranking the highest level of difficulty according to the Henle difficulty rankings.
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The Piano Concerto No. 2 in G major, Sz. 95, BB 101 of Béla Bartók is a musical composition for piano and orchestra. The work, which was composed between 1930 and 1931, is notorious for being one of the most difficult pieces in the repertoire. Playing time is 26–29 minutes.