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Beer bottles of different colors. Glass coloring and color marking may be obtained in several ways. by the addition of coloring ions, [1] [2] by precipitation of nanometer-sized colloids (so-called striking glasses [1] such as "gold ruby" [3] or red "selenium ruby"), [2] Ancient Roman enamelled glass, 1st century, Treasure of Begram
Once the adhesive (usually starch paste or gelatin) was dry, the paper backing of the print was rubbed away, leaving only the transparent emulsion on the glass. The image was then coloured by hand, using oil paints. Another piece of glass was added to the back and this could also be coloured by hand.
The most common method of adding the black linear painting necessary to define stained glass images is the use of what is variously called "glass paint", "vitreous paint", or "grisaille paint". This was applied as a mixture of powdered glass, iron or rust filings to give a black colour, clay, and oil, vinegar or water for a brushable texture ...
When hand-colouring with dyes, a weak solution of dye in water is preferred, and colours are often built up with repeated washes rather than being applied all at once. The approach is to stain or dye the print rather than to paint it, as too much paint will obscure photographic details. Blotting paper is used to control the amount of dye on the ...
Glass is enamelled by mixing powdered glass, either already coloured (more usual) or clear glass mixed with the pigments, [1] with a binder such as gum arabic that gives a thick liquid texture allowing it to be painted with brushes. Generally the desired colours only appear when the piece is fired, adding to the artist's difficulties.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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