Search results
Results from the WOW.Com Content Network
Christ at Emmaus by Rembrandt, 1648, Louvre. Both the encounter on the road and the ensuing supper have been depicted in art, but the supper has received more attention. Medieval art tends to show a moment before Jesus is recognized; Christ wears a large floppy hat to help explain the initial lack of recognition by the disciples.
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Paintings depicting the Supper at Emmaus" The following 13 pages are in this ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Paolo Veronese's Supper at Emmaus is a large 241×415 cm (8×14 feet) oil painting on canvas. [1]It depicts the biblical Gospel story of the resurrected Christ appearing on the road to Emmaus – and being finally recognized by two of his disciples who were on a pilgrimage to Emmaus, as he blesses the bread at a meal they had invited him, an apparent stranger, to. [2]
The Supper at Emmaus is a painting by the Italian Baroque master Caravaggio, executed in 1601, and now in London. It depicts the Gospel story of the resurrected Jesus 's appearance in Emmaus . Originally this painting was commissioned and paid for by Ciriaco Mattei , brother of cardinal Girolamo Mattei .
Bill Hutto and Joshua Rieff, who say that is the main lesson in the story of the Road to Emmaus in Luke 24:13-35 and Mark 16:12-13 where the disciple Cleopas and an unidentified disciple are ...
In 1863, he settled on the outskirts of Lucerne, and rarely left for any extended period of time after that. Between 1867 and 1877, his religious faith began to appear as biblical motifs in his pictures, such as The Road to Emmaus (1877). In 1882 he completed Der Eichenwald (The Oak Forest), one of his best known works. The image was based on ...
The Supper at Emmaus is the title shared by several similar works by Titian, two of which are discussed here. The first, made about 1534, is currently on long-term loan to the Walker Art Gallery, in Liverpool. The second, made about 1545 by Titian and his studio, is in the National Gallery of Ireland, in Dublin.