Search results
Results from the WOW.Com Content Network
Even so, Johannes Brahms still felt the need to rewrite his C-sharp minor piano quartet in C minor, which was published as Piano Quartet No. 3 in C minor, Op. 60. [citation needed] The last intermezzo from his Three Intermezzi for piano, Op. 117 is in C-sharp minor. Alkan composed the second movement (Adagio) for Concerto for Solo Piano in C ...
16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament: 17-tet scale on C. Play ⓘ — — — 17 — — 19 equal temperament: 19-tet scale on C. Play ⓘ — — — 19 — — 21 equal temperament: 21-tet scale on C. Play ⓘ — — — 21 — — Acoustic scale or Lydian dominant scale: Acoustic scale on C. Play ⓘ 1 2 3 ...
The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. [1] The minor key starts three semitones below its relative major; for example, A minor is three semitones below its relative, C major. Circle of fifths showing major and minor keys
Claude Debussy's Suite bergamasque does this: in the third movement "Clair de lune" the key shifts from D-flat major to D-flat minor (eight flats) for a few measures but the passage is notated in C-sharp minor (four sharps); the same happens in the final movement, "Passepied", in which a G-sharp major section is written as A-flat major.
Its relative minor is A-sharp minor (or enharmonically B-flat minor), its parallel minor is C-sharp minor, and its enharmonic equivalence is D-flat major. The C-sharp major scale is: Audio playback is not supported in your browser.
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
Piano Sonata in C-sharp minor (Tchaikovsky) Piano Sonata in C-sharp minor, D 655 (Schubert) Piano Sonata No. 14 (Beethoven) Polonaises, Op. 26 (Chopin) Prelude and Fugue in C-sharp minor, BWV 849; Prelude and Fugue in C-sharp minor, BWV 873; Prelude in C-sharp minor (Rachmaninoff) Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
D-flat minor is usually notated as the enharmonic key of C-sharp minor, as in the second and third measures of Amy Beach's Canticle of the Sun. [1] However, unusually, two of Verdi's most well-known operas, La traviata and Rigoletto, both end in D-flat minor (although written with the five-flat key signature of the parallel major).