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Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.The literature of the Renaissance was written within the general movement of the Renaissance, which arose in 14th-century Italy and continued until the mid-17th century in England while being diffused into the rest of the western world. [1]
The Renaissance of the 12th century was a period of many changes at the outset of the High Middle Ages. It included social , political and economic transformations, and an intellectual revitalization of Western Europe with strong philosophical and scientific roots.
Jean-Jacques Ampère was the first writer to speak of a medieval renaissance. The term 'renaissance' was first used as a name for a period in medieval history in the 1830s, with the birth of medieval studies. It was coined by Jean-Jacques Ampère. Charles H. Haskins published The Renaissance of the Twelfth Century in 1927
The nature of the Renaissance also changed in the late 15th century. The Renaissance ideal was fully adopted by the ruling classes and the aristocracy. In the early Renaissance artists were seen as craftsmen with little prestige or recognition. By the later Renaissance, the top figures wielded great influence and could charge great fees.
The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
The Discarded Image: An Introduction to Medieval and Renaissance Literature is a non-fiction book by C. S. Lewis. It was his last book and deals with medieval cosmology and the Ptolemaic universe. It portrays the medieval conception of a "model" of the world, which Lewis described as "the medieval synthesis itself, the whole organization of ...
In the twentieth century, scholars usually situated Galateo among the courtesy books and conduct manuals that were very popular during the Renaissance. [4] In addition to Castiglione’s celebrated Courtier, other important Italian treatises and dialogues include Alessandro Piccolomini’s Moral institutione (1560), Luigi Cornaro’s Treatise on the Sober Life (1558-1565), and Stefano Guazzo ...
Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]