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In Norse mythology, the einherjar (singular einheri; literally "army of one", "those who fight alone") [1] [2] are those who have died in battle and are brought to Valhalla by valkyries. In Valhalla, the einherjar eat their fill of the nightly resurrecting beast Sæhrímnir , and valkyries bring them mead from the udder of the goat Heiðrún .
In chapter 20, Third states Odin mans Valhalla with the Einherjar: those killed in battle and become Odin's adopted sons. [15] In chapter 36, High states valkyries serve drinks and see to the tables in Valhalla, and Grímnismál stanzas 40 to 41 are quoted in reference to this. High continues the valkyries are sent by Odin to every battle; they ...
Valhalla is an afterlife where those who die in battle gather as einherjar, in preparation for the last great battle during Ragnarök. In opposition to Hel's realm, which was a subterranean realm of the dead, it appears that Valhalla was located somewhere in the heavens.
In Norse mythology, Sæhrímnir is the creature killed and eaten every night by the Æsir and einherjar. The cook of the gods, Andhrímnir, is responsible for the slaughter of Sæhrímnir and its preparation in the cauldron Eldhrímnir. After Sæhrímnir is eaten, the beast is brought back to life again to provide sustenance for the following day.
Selecting among half of those who die in battle (the other half go to the goddess Freyja's afterlife field Fólkvangr), the valkyries bring their chosen to the afterlife hall of the slain, Valhalla, ruled over by the god Odin. There, when the einherjar are not preparing for the events of Ragnarök, the valkyries bear them mead.
"Freya" (1882) by Carl Emil Doepler. In Norse mythology, Fólkvangr (Old Norse "field of the host" [1] or "people-field" or "army-field" [2]) is a meadow or field ruled over by the goddess Freyja where half of those that die in combat go upon death, whilst the other half go to the god Odin in Valhalla.
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When Helgi had entered Valhalla Odin asked Helgi to rule over the Einherjar together with himself. There is a stanza which Bellows interprets as a misplaced stanza on the conflict between Helgi and Hunding, but others [ 4 ] interpret as Helgi oppressing Hunding in Valhalla: