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Songs from the border, for flute, mezzo-soprano, percussion, piano, cello. CD: At midnight, arrangement for piano duet CD: An Encounter with the Music/ACADEMY DOREMI; The Rorro. CD: Three Mexican folk songs, arranged for children's choir and chamber orchestra. CD: Adventures Suite, version for piano CD: Adventure / Ana Maria Tradatti, piano ...
The fretboard and 10 strings of a bajo quinto. The bajo sexto is a member of the guitar family, and physically looks like a cross between a 12-string guitar and a cello because of its size. However, there are important differences: The body is usually a bit deeper; the neck is shorter, joining the body at the 12th fret (modern 12-string guitars ...
Manuel Ponce. Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948), known in Mexico as Manuel M. Ponce, was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore.
Volunteer musicians transcribe sheet music for pieces by Schubert, Chopin, various Bachs, and other great composers. The music is then posted and made available for free download on the web site.
A vintage Takamine 12-string with a requinto style set-up. The Mexican twelve-string guitar, also known as a requinto-style or Sierreño-style guitar, is a modified twelve-string guitar. It can approximate the sound of a bajo sexto or bajo quinto and play regional Mexican styles, such as norteño, Tejano (Tex-Mex), and conjunto (música ...
The Bajo quinto (Spanish: "fifth bass") is a Mexican string instrument from the guitar family with 10 strings in five double courses. [1]It is played in a similar manner to the guitar, with the left hand changing the pitch with the frets on a fingerboard while the right hand plucks or strums the strings with or without a pick. [1]
Six-string guitar music can be played on the first six strings, but with added resonance from the extra strings. This was Yepes' original intention and the reason for the design. Music specifically arranged for the instrument can make use of the extra strings directly, thus:
The word cuatro was used to represent the number of strings that the instrument initially had, but a 10 stringed, 5 course cuatro was made in 1887, as shown in a photograph taken in 1916. By 1922, cuatro music was being played on Puerto Rican radio stations, like "Los Jíbaros de la Radio" (1932) and "Industrias Nativas" (1934).
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